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很多书法理论家已从用笔、结字,篇章布局、点画始转等特点对启功先生的书法成就与特色进行了充分而细致地分析,笔者于此才疏学浅,不敢呶呶置喙。且愚以为,对启先生书法中那种浓厚的文人气、书卷气,那种深淳的韵味与崇高的境界,仅就字论字,靠对字形、笔画的具体分析是无法体现
Many calligraphists have done a full and detailed analysis of calligraphic accomplishments and characteristics of Mr. QI Gong from the perspective of pen, conjunctions, text layout, and the beginning of stippling. Therefore, I only studied shallowly and did not dare. And stupid thought, to Mr. Kai calligraphy in the kind of strong literary, bookish, the kind of profound charm and lofty realm, only the word on the word, by the specific shape of the strokes and strokes can not be reflected