论文部分内容阅读
中国电影是随着国门的打开,在20世纪初从西方传入的。百余年来中国电影的发展一直受到外国电影的影响,即使是新中国电影中相对封闭的十七年电影也是如此,更不用说改革开放30年以来的新时期电影。但这种影响不完全是被动的接受,更不是全盘移植,而是在自身期待视野中的本土化变异和多元文化融合。况且,电影源流的影响是多种多样、错综复杂的。因此,本文在对20世纪中国电影发展之外来影响源流踪迹考察的基础上,着重对新中国电影60年发展过程中的外来影响源流与本土接受、变异、多元融合的情况进行梳理探析,对新中国电影60年的创作历程与美学风格的演化作一初步的考察,初步总结中国电影外来影响接受主导影响源变异的若干特点与规律。
Chinese films were introduced from the West in the early 20th century as the country opened. The development of Chinese film has been influenced by foreign films for more than 100 years, even in the relatively closed seventeen-year-old films of the new Chinese films, not to mention the new films of the 30 years since the reform and opening up. However, this kind of influence is not entirely passive acceptance, nor is it a total transplant, but a localized variation and multicultural integration in the vision of its own expectations. Moreover, the impact of the film source is diverse and intricate. Therefore, on the basis of the investigation of the origins and influences outside the development of Chinese film in the 20th century, this paper focuses on the analysis of the origin and origin of the external influences, native acceptance, variation and multi-fusion in the process of 60 years’ development of the new Chinese film, Chinese film 60 years of creative process and the evolution of aesthetic style for a preliminary study to initially summarize the Chinese film external influence accept the main source of variation in a number of characteristics and laws.