“意境”是中国山水美学中一个非常重要的命题。意境的有无是真假艺术品的分水岭,意境的深浅也是作品艺术性高低的根本标志。“意境”说以老庄美学为基础,经后人演绎,愈来愈清晰完备。早在魏晋南北朝时代,在当时势不可挡的山水文化大潮中,山水画创作已经成为一种风尚。 “Artistic conception ” is a very important proposition in Chinese landscape aesthetics. The artistic conception is the watershed between true and false works of art, artistic conception is also the basic symbol of the artistic level. “Artistic conception ” said that with Lao Zhuang aesthetics as the foundation, after the later interpretation, more and more clear and complete. As early as the era of Wei, Jin and Northern and Southern Dynasties, in the tide of landscape culture that was overwhelming at that time, the creation of landscape paintings had become a fashion.