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一、中世纪美学“光”的宗教意蕴“自从造天地以来,上帝的永能和神性是明明可知的,虽是眼不能见,但借着所造之物就可以晓得,叫人无可推诿。”1中世纪美学总体上看是为宗教服务的,其美学思想支配于中世纪的基督教神学,因此并没有美学专著。但美学思想散见于各类哲学、神学著作中。中世纪的美学思想可以说是以一种批判性的角度接受古希腊时期的美学思想,东方神秘主义与当时的基督教神学结合并融合于柏拉图的客观唯心主义,“借用了古希腊和
First, the medieval aesthetics ”Light “ religious implication ”Since the world was created, God’s eternal and divine nature is obviously knowable, although the eyes can not see, but through the things you can know, called There is nothing to push. “1 Medieval aesthetics, as a whole, serves religions and its aesthetics dominates medieval Christian theology, so there is no aesthetic monograph. However, aesthetics is found in various philosophical and theological writings. Medieval aesthetics thought can be said to accept the aesthetics of ancient Greece from a critical angle. Eastern mysticism combined with the contemporary Christian theology and integrates with Plato’s objective idealism. ”Borrowing ancient Greek and