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明治四十年代,谷崎润一郎初登文坛,便引起的巨大的反响。他的早期中期作品给人留下色彩绚丽浓烈的印象。赤色是这个时期的挚爱。作者笔下的赤色超越了色彩的疆域,不仅不断地骚动作者自己的灵魂,而且时时震撼读者的灵魂。本稿通过分析早期作品《刺青》和中期作品《秘密》以诠释谷崎文学赤色的意义。
In the forties of the Meiji period, Tanizaki Junichiro debut literary world, it caused a huge response. His early mid-term paintings give a brilliant impression. Red is the love of this period. The author’s red beyond the color of the territory, not only constantly stirring the author’s own soul, but also from time to time shock the reader’s soul. This essay expounds the significance of Tanizaki literature’s redness by analyzing the early works “Tattoos” and the medium-term “Secrets.”