近来读到刘靖之先生的巨著《中国新音乐史论》。音乐界对此书的褒贬不一。但我个人认为有一点是应该肯定的,即刘先生在对２０世纪中国新音乐进行评价时,有他独特的视角,这和他的前理解(知识结构)和解构殖民主义文化思想的倾向(因香港属于殖民地语境)相关。在全书第十章结论“新 Recently I read Mr. Liu Jingzhi’s masterpiece “Theory of New Chinese Music History.” The music industry has mixed reviews of the book. However, I personally think it is certain that Mr. Liu had his unique perspective on the evaluation of new Chinese music of the 20th century. This is in line with his tendency to understand (knowledge structure) and to deconstruct colonialist cultural ideas Because of Hong Kong’s colonial context). Conclusion in the tenth chapter of the book "new