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法国女作家冈萨曾在《淡彩之血》里塑造了理想式的人物康斯坦丁·冯·梅克,小说以第二次世界大战为背景,描写了主人公在严酷的战争环境中从最初的放荡不羁最终转向寻找内心中深沉自由的蜕变过程。而这种血肉模糊的转换描述也呈现出冈萨自己内心中一直难以摆脱的矛盾——对消费、潮流的迎合和对自我本体的反抗,对自由的诉求和对现实的妥协等。也正是在这种转换的过
The French writer Gonzalez in the “light of blood” in the shape of the idealistic figure Constantine von Meck, the second world war as the background of the novel, describes the protagonist in the harsh conditions of war from the initial Bohemian eventually turned to find deep inner transformation of freedom. However, this vague description of the flesh and blood also shows the contradiction that Gonzalo has been unable to get rid of in his own heart-catechism of consumption and trend, resistance to self-noumenon, appeal to freedom and compromise of reality. It is also in this transition too