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建安谈论之风是汉末清议至正始玄学的过渡阶段,其对建安文学的影响体现在以下三点:文人个体意识的觉醒、“以气为文”的文学风貌以及书信体的文学批评样式。建安文学独抒情志与儒家诗教观并存的现象与谈论之风影响下的建安学术转型有关,汉末文士反对两汉经学的繁缛,希冀原始儒学精神的复归。
The style of Jian’an talk is the transitional stage from the Qing dynasty to the beginning of Zhenguan metaphysics, and its influence on Jian’an literature is manifested in the following three points: the awakening of the individual consciousness of the literati, the literary style of “taking the breath as the writing” and the literature of the epistolary Criticism style. The phenomenon that the Jian’an literature alone sentimentalism and the Confucian poetic education coexist is related to the Jian-An academic transformation under the influence of the discussion. The Han scholars in the late Han Dynasty objected to the excesses of Confucian classics in the Han Dynasty and hoped the primitive Confucianism returned to their original values.