一出以各民族团结反对共同的阶级敌人为主题的地方历史剧《张秀眉》,以黔剧的形式和我们见面了,这是我省戏曲艺术在继续跃进中开放的一朵丰盈的鲜花。黔剧《张秀眉》在创作上获得的成功,已有同志作了较全面的评价(见《山花》1960年8月号)。这里,我只想从处理历史材料的角度出发,谈谈它所反映的历史内容,以及它怎样表现了历史的真实的。首先,不得不涉及与张秀眉起义有关的历史——清代贵州“咸同起义”。这次起义,掀起于十九世纪中叶的1855年(咸丰五年),即太平天国革命爆发后的第五年。它 A local historical drama named “Zhang Xiumei,” with the theme of uniting and opposing common class enemies of all ethnic groups, met us in the form of a Qiaju opera. This is an abundance of flowers that the opera art of our province is opening up to continue its leap forward. The success of Qian Xi’s “Zhang Xiumei” in his creation has been commented on in a more comprehensive manner (see “Mountain Flower”, August, 1960). Here, I just want to talk about the historical content it reflects from the perspective of handling historical materials and how it represents the truth of history. First of all, I have to deal with the history related to Zhang Xiu-mei’s uprising - the “salty uprising” in Guizhou in the Qing Dynasty. The uprising started in 1855 (five years of Xianfeng) in the mid-nineteenth century, the fifth year after the Taiping Revolution broke out. it