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本文结合王国维先生对戏剧和曾永义先生对戏曲的定义,尤其是曾先生的“狭隘的剧场”这一戏曲新加元素,借助对孟元老《东京梦华录》的文本分析,考辨北宋汴京杂剧城市剧场的进路及其在剧场史上的贡献。
Based on the definition of opera by Mr. Wang Guowei and Mr. Zeng Yongyi’s drama, especially Mr. Zeng’s “Narrow Theater”, with the aid of the textual analysis of Meng Yuanlao’s “Tokyo Dream Records” The Approaches to the Urban Playground of the Bei Jing Zaju in the Northern Song Dynasty and Its Contribution in the Theater History.