21世纪以来,我国少数民族题材电影发生了一系列具有转折性的变化。首先,经过1994年国家电影体制改革的阵痛,我国少数民族题材电影和其它电影一起被推向了市场。从1990年代中后期到2003年期间,失去了国家经济支持的我国少数民族题材电影创作,数量锐减,年均仅为五部,[1]但从2004年以来其创作数量翻番,年均高 Since the 21st century, a series of turning-point changes have taken place in the minority-themed movies in our country. First of all, after the painful painstaking reforms of the state cinema system in 1994, ethnic minority movies in China are pushed to the market along with other films. During the period from the mid-1990s to the end of 2003, the number of national minority-themed movie productions that have lost their national economic support has dropped sharply, at an average annual rate of only five. [1] However, since 2004, the number of their creations has doubled and their average annual average