“剪影式”单色画从一个侧面体现了梅森瓷器早期装饰对“中国风”样式的浅层模仿和表现。这种亚风格的形成,是当时欧洲市场需求的反映,也是对东方异域风情的猎奇和艺术想象。赫洛特的背景与个人喜好,也对这种风格起到了重要的推动作用,并使梅森瓷器在单色画的表现空间,以及着色方案等方面呈现出独特之处。作为一种区别于东、西方瓷器装饰的过渡性风格,实为当时的装饰艺术手法处于摸索阶段的结果。 “Sketch style ” monochrome painting from one side reflects the Mason porcelain early decoration “Chinese style ” style of shallow imitation and performance. The formation of this sub-style is a reflection of the needs of the European market at the time, as well as a curiosity and artistic imagination of oriental exoticism. Herod’s background and personal preferences also play an important role in promoting this style, and make Mason porcelain unique in terms of the performance space of monochromatic painting and coloring schemes. As a kind of transitional style that is different from the decoration of East and West porcelain, it is the result of the groping art of decorative art at that time.