女性进入戏曲批评领域比较晚,明嘉靖年间始见诸记载,至清代始颇为兴盛。女性戏曲批评者多以题写戏曲序跋的形式发表自己的见解。她们大多为名门闺秀,生活在富饶美丽的江南一带,喜用诗词题写戏曲序跋,且多关注女性剧作者和刻画女性的剧本,具有明显的性别群体特征。 Women entered the field of drama criticism relatively late, Ming Jiajing began to see all records, to the Qing Dynasty quite prosperous. Female drama critics are mostly prefaces and dramas to express their views. Most of them are famous ladies who live in the beautiful and rich Jiangnan area. They like to use poems to preface and preface opera, and pay more attention to female playwrights and female scripts, with obvious characteristics of gender groups.