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2005年5月,我们中国戏曲学院表演系学生排演了大型神话京剧《哪吒》。这出戏,是在传统戏《乾元山》的基础上整理、改编而成的。我作为这出戏的导演,经历和承担了从艰难孕育到靓丽诞生的繁复过程。在此,粗略地梳理一下做这项工作时的思维脉络,应该是件有意义的事情。一、创作排?
In May 2005, our acting school of the Chinese Opera Academy rehearsed a large-scale mythical Peking opera “Where 吒.” This drama is based on the traditional drama “Qiyuan Shan” based on finishing, adapted from. As the director of this play, I experienced and undertook the complicated process from the difficult birth to the beautiful birth. Here, a rough outline of what to do when doing this work should be a meaningful thing. First, the creative row?