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西方自康德开始 ,发生了由实体本体论向存在本体论的转变。存在本体论放弃了事物背后的绝对化本质的追寻 ,而执迷于存在的方式 ,其思维方式的置换正是哲学本体论向文艺学本体论转换的方法论依据和哲学前提。在形式和内容二分法的扬弃基础上产生了形式的一元论 ,以存在本体论为依据的西方现代形式主义文论研究 ,为中国 80年代形式本体论的产生提供了直接的参照和摹本 ,中国审美观念加快了“向内转”的步伐
Since Kant began in the west, the transformation from ontology to ontology occurred. The ontology abandons the pursuit of the absolute essence behind the things, and the way of being obsessed with existence, the replacement of its way of thinking is the methodological basis and the philosophical premise of the conversion from philosophical ontology to ontology of literary theory. On the basis of discarding the dichotomy of form and content, the monistic theory of form has emerged. The study of western modern formalistic literature based on the existence of ontology provides direct references and copies of the formal ontology in China in the 1980s. The Chinese aesthetic The concept has accelerated the pace of “inward turn.”