晚清出版的外国女杰传中,明治日本的影响相当大。其中由著名作家德富芦花编辑、1898年印行的《世界古今名妇鉴》比较特殊,属于隐身文本,不为中国译者提及,却有多篇传记经过反复译介,广泛流传,因此值得重视。本文从介绍《世界古今名妇鉴》的原文本入手,分三节作了探讨:将最早由梁启超译述、并一向被视为梁著的《罗兰夫人传》放在女性语境中,揭示其与晚清流行的“女子为国民之母”说法的关联;考察充满革命激情的《世界十女杰》,如何经由有意识的改写与添加,使传主因切合晚清国情,成为中国女性寻求独立、解放取法的楷模;最后再就《女报》(《女学报》)、《女子世界》与《中国新女界杂志》三个晚清女报的“传记”栏,分析其选取、隐括的译文同各自杂志宗旨的密切呼应——从而呈现具有“百变身”的《世界古今名妇鉴》参与晚清“女界革命”的实绩。 In the late Qing Dynasty published foreign actress biography, Meiji Japan’s considerable influence. Among them, edited by the famous writer De Fulu, published in 1898, “World ancient and modern celebrity women” is rather special, is a stealthy text, not mentioned for Chinese translators, but many biographies after repeated translation, widely circulated, it is worth Pay attention. This article starts with the introduction of the original text of “The World Ancient and Modern Famous Woman”, which is divided into three sections: The first is described by Liang Qichao, and has always been regarded as the “Biography of Roland” in the female context, revealing its And the prevalence of the late Qing Dynasty “women as the mother of the nation,” the relationship; to examine the revolutionary passion of the “World’s Ten Girls”, through conscious rewriting and addition, so that the Lord due to the late Qing national conditions, to become Chinese women seeking Independence, liberation and law-taking model. Finally, we will analyze the selection of “Biographies” of the Three Late Qing dynasties in The Female Journal (“女 學報”), “The World of Girls” and “China New Women’s Journal” , The implicit translation closely corresponds with the purpose of their respective magazines - thus presenting the achievements of the “World Ancient and Modern Ming Dynasty Women” with “Variety” ’s participation in the late Qing “female revolution ”.