“国画”在一百多年前被提出,她作为传统文化、本土文化的概念,在与“西方文化”的抗争及自身的转变中,其文化命题因为政治的、经济的种种干扰而没有得以澄清,“国画”在国际化的语境中如何进行当代转换也问题依然——这显然与中国社会经济迅速崛起的进程不相称。第三届成都双年展深入考量,把国画定为当然的主题。 “Traditional Chinese Painting” was put forward more than one hundred years ago. As the concept of traditional culture and native culture, her cultural proposition in the struggle against “Western culture ” and her own transformation, because of its political and economic variety The interference has not been clarified yet. How is “traditional Chinese painting” transformed in the context of an international context? The question remains - apparently not commensurate with the rapid rise of China’s social economy. Third Chengdu Biennale in-depth consideration, the painting as a matter of course the theme.