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在河北泊头流传着一段顺口溜:“寺门村的娃娃,黄屯的鼻(哨)儿,范庄的小簸箕儿,最拿手是三痴斋的小泥人。”提起三痴斋,在泊头市尽人皆知。三痴斋的主人叫宋长峰,一个高个头小伙儿,脸庞瘦削,头发长长束于脑后,洒脱又帅气。宋长峰是三痴斋第四代传人,他从小与泥土艺术结缘。1984年春,6岁的他去大哥宋长海家里玩,发现哥哥家摆着许多神情姿态各异的小泥人,这引起了他的好奇,他一边看一边学大人的样子捏起了泥人。初次捏的泥人得到了长海大哥的夸奖,也许,这就是宋长峰走进泥塑大门的第一步。从此,他一有时间就往长海大哥家跑,并拿出自己捏的泥人让大哥指点。长海见他学捏泥人如此痴迷,便将祖辈传
Botou in Hebei circulating a jerk: “Temple door doll, Huang Tun’s nose (whistle child, Fan Zhuang small dustpan children, the best is the three crazy fasting little mud.” "Lift three crazy vegetarian, Known in Botou City. The master of three crazy vegetarian called Song Chang-feng, a tall guy, face thin, long hair bundle in the back, free and easy. Song Chang-feng is the third generation of idiot fasting descendant, he grew up with the mud art. In the spring of 1984, when he was 6 years old, he went to play at his eldest brother, Song Changhai, and found his brother had many curious figures in different poses. This aroused his curiosity. For the first time pinch mud people got the compliment of the Big Brother of Changhai, perhaps, this is the first step Song Changfeng entered the clay door. Since then, he had time to run to the big brothers in the Changhai, and took out his pinch clay to let Big Brother pointing. Changhai see him muddleheaded so obsessed, then the ancestral biography