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在中华民族传统的圆满、完美的综合思维模式和审美观念体系的规范下，中国古典诗歌的体式自《诗径》以来就不断追求尽善至美的理想。从楚辞始，诗歌体式在散文化和音乐美方面进行着互补探索，辞、赋偏重遣词造句的自由精丽，乐府偏重音律的整齐和谐。唐宋以后，诗体美的具体体现为格律，元曲的出现则标志着我国格律诗体的尽头。近、现代新诗体式的革命在所必然。
Under the traditional Chinese perfect, perfect integrated thinking mode and aesthetic concept system, the style of Chinese classical poetry constantly pursues the ideal of perfection since the poem of “Path of Poetry”. From the beginning of the Chu dynasty, the poetic style carries on the complementary exploration in the aspects of prose and music beauty. The freedom and gracefulness of words and sentences are emphasized in Ci poetry. The Yuefu emphasizes the harmony of the temperament. After the Tang and Song Dynasties, the concrete manifestation of poetic beauty is the law, while the appearance of the yuan song marks the end of the metrical verse of our country. Nearly, the modern style of the new poetic style in the inevitable.