“条屏”成为时尚,当源自皇宫内院。皇帝及贵族阶级雅好古人书画名迹,如果常年将其藏身箱底、府库则无法满足不时赏玩的精神需要。书画装裱成立轴、横幅、条屏,悬于堂之中、案之头、几之侧,则目接神洽,无穷遨游。上行下效,书画条屏从戒备森严的皇宫内院走向民间,书画条屏的内容也从名篇巨制渐次降级为普通文人、画师书家的无名之作。特别是到了明清时期,文人画走向市场,如扬州八怪 “Bar screen ” became fashionable, when from the palace inner court. The emperor and aristocrat classics ancient calligraphy and painting famous, if the perennial possession of the bottom, the Treasury will not be able to meet the spiritual needs of entertainment from time to time. Framed painting framed shaft, banner, screen, hanging in the hall, the head of the case, a few side, the eye contact God, endless travel. Ups and downs, painting and calligraphy screen from the heavily guarded palace inner courtyard to civil society, painting and calligraphy screen content also gradually degenerated from the famous system of ordinary literati, artist’s book nameless. Especially to the Ming and Qing Dynasties, literati painting to the market, such as Yangzhou eight strange