论文部分内容阅读
我作为“梅花奖”的一个评委,在这“30周年研讨会”上讲一点我的感受。我们都知道,上个世纪,自70年代末到整个80年代,随着思想解放运动及改革开放的大潮,在我国文学艺术界出现了一个称之为“新时期”的“探索与革新”的发展期。正是在这个“改革开放”大潮的涌动下,中国戏剧家协会主办的《戏剧报》(即《中国戏剧》杂志前身)为了推动舞台艺术的中心――演员表演艺术的发展,鼓励中青年演员的迅速成长,于1983年,以“梅
As a judge of the ”Plum Blossom Award,“ I speak a little about my feeling at this ”30th Anniversary Symposium.“ We all know that with the emancipation of the ideology and the tide of reform and opening up in the last century, from the late 1970s to the 1980s, there has been an exploration and exploration in our literature and art circles of what we call the ”new period“ Innovation ”period of development. It is during this “surge of reform and opening up” that the “Drama Newspaper” (the predecessor of “Chinese drama” magazine) sponsored by the Chinese Dramatists Association encourages the center of the stage art - the performing arts of performers The rapid growth of young and middle-aged actors in 1983, with "Mei