“和”是一个意义广泛的重要美学范畴。魏晋南北朝的刘勰在主要继承儒、道、佛及玄学等各家的“中和”美学思想也进行了或多或少的吸收借鉴,成为审美范畴“和”的集大成者之一。在其创作文论巨著《文心雕龙》时,尚“和”的思想也不自觉地贯穿始终。具体表现在“惟务折衷”、“兼解以俱通”的方法论、文质论、风骨论、音乐美学观和总体的和谐文论观上。 “And ” is a wide range of important aesthetic category. In the Wei, Jin and Northern and Southern Dynasties, Liu Xun also inherited more and less the “aesthetics” thoughts of Confucianism, Taoism, Buddhism and Metaphysics, and became the master of the aesthetic category “and” one. In his creation of literary masterpiece “Wen Xin Diao Long”, Shang “and ” thought unconsciously throughout. Specifically manifested in the “But trade compromise ”, “and solution to both ” methodology, the theory of the character, the theory of style, the concept of musical aesthetics and the overall concept of harmonious literary theory.