本论文秉持形式批评与内容批评相结合的理念,对美国华裔诗歌的语言表征特点和意象呈现方式进行了梳理,发现其最基本的特点就是文学性与族裔性的结合。这种文学性与族裔性完美结合、相得益彰的现象对于现今华裔美国文学创作及批评领域中刻板化族裔性批评等问题均具有重要的启示意义。 This dissertation, based on the concept of the combination of formal criticism and content criticism, combs the linguistic representation and image presentation of American Chinese poetry. It finds that the most basic characteristic of this thesis is the combination of literary and ethnicity. This perfect combination of literaryness and ethnicity is of great significance to the issues such as stereotyped ethnic criticism in the fields of Chinese American literary creation and criticism.