一从梁武帝时对于王羲之书法的推许一直到现在,王书一直是书法家案头的必备法帖。这是一个很让人思索的事实,一位书法家通过自己的艺术理解和具体技法创作出来的作品,居然成为不同时间段上的存在。譬如《兰亭序》,它还能存在多长的时间呢?这种体现书法家内心隐秘的创作是一种个人化的创作,是精神生活的主要部分,从外表上来看都是形式的体现,但是留存的长久和短暂却如此迥异。 One from the time of Emperor Wudi’s calligraphy for Wang Xizhi push until now, Wang book has always been the essential calligraphy desk Fadu. This is a very thought-provoking fact. A calligraphist’s work created through his own artistic understanding and specific techniques has actually existed in different time periods. For example, “Orchid Pavilion Preface”, how long can it exist? This kind of creation is a kind of personal creation, which is the main part of the spiritual life. It is a manifestation of the form from the outside, But the long-term and short-term survival are so different.