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本文从认知诗学的角度,立足于意象图式理论和图形背景分离原则,对柳宗元山水诗的意象组合进行了比较分析。认为柳宗元永州时期山水诗的意象组合多为路径图式与容器图式的结合,柳州山水诗则偏于容器图式;柳州山水诗中,意象图形与背景的情感基调一致,强烈直接,而永州时期则不然。这与柳子不同时期心态有别有关。
From the perspective of cognitive poetics, based on the principle of image schemata and the principle of graphic background separation, this article makes a comparative analysis of the image combinations of Liu Zongyuan ’s landscape poems. The image combination of Liu Zongyuan’s landscape poems in Yongzhou period is mostly the combination of the path pattern and the container pattern. Liuzhou landscape poetry is on the container pattern. In Liuzhou’s landscape poems, the mood of the image and the background is the same, strongly and directly, The period is not. This is different from the mentality of Liu different at different times.