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20世纪五六十年代的刘三姐形象建构是不同文化主体共同赋予了刘三姐不同的文化意义,是三种不同叙事模式交互生发的层累性建构,是各类文化艺术的生产主体共同塑造了刘三姐形象的整体生成。民间传说的戏曲化和音乐化提升了刘三姐的“歌仙”形象。歌舞剧和电影《刘三姐》既表述了当时国家主流的阶级话语,表征了广西壮族的文化形象,也是应用现代传媒技术建构了刘三姐形象。
The image construction of Third Sister Liu in the 1950s and 1960s is a culturally implicative effect that different cultural subjects give Liu Sanjie together. It is a layer-by-layer construction of three different narrative modes and is the main body of production of all kinds of arts and crafts that jointly shape Liu Sanjie’s image The overall generation. The dramatization and musicization of folk legends promoted the image of Liu Sanjie’s “Gexian”. The song and dance drama and the movie “Third Sister Liu” not only expounded the class discourse of the country at that time, but also represented the cultural image of Guangxi Zhuang people as well as the image of Third Sister Liu using modern media technology.