阎连科的乡土小说创作以“神实主义”的方式,观照乡土,沉思乡土。还乡是其众多乡土小说的叙事策略,政治、革命、权力以及爱情是他叙事的核心。对乡土,阎连科显然有着复杂的情感,那是一个无法抛弃的所在,那里有他的哀怨。然而,骨子里对乡土的挥之不去的爱,使得他面对乡土的过去、现在与未来,始终处于焦虑状态。 Yan Lianke’s local novel creation is based on the style of “god-realism” and contemplates the local culture. Returning home is the narrative strategy of many local novels. Politics, revolution, power and love are the core of his narrative. Yan Lianke apparently has complex emotions to the native land. That is where one can not abandon. There is his sadness there. However, the lingering affection on native land in his bones made him always in the state of anxiety in the face of the past, the present and the future of native land.