贝恩哈德笔下病痛缠绕的世界为其赢来了“德国文学史上最阴暗的诗人,最痛苦的先知,顽固的疾病、消逝、灭亡和死亡的歌唱家”(赖希—拉尼茨基语)以及极端的幽默家这两种迥异的接受范式。本文聚焦其成名作《寒冻》,小说以画家施特拉赫蹊跷的不治之症为导火索,衔接主要人物,构建文本结构。文章通过分析作为文本母题与极端表现手法的病痛问题,从文化学视角探讨正常与疾病之对峙、艺术及医学的异同、痛苦和认知间的张力。 Bainhart’s penniless world won for “the darkest poet in the history of German literature, the most painful prophet, a stubborn disease, a singer who died, perished and died” (Reich-Leniz Base language) and extreme humorists are two very different paradigms of acceptance. This article focuses on its famous masterpiece “Frozen”. The novel is based on the incurable disease of painter Strach. It connects the main characters and constructs the text structure. The article explores the tension between normality and disease, the similarities and differences between art and medicine, and the tension between cognition and from the perspective of culture through the analysis of the problems of illness as the motif of the text and the expression of extreme expression.