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我国的传统音乐发展已有数千年的历史,自从华夏大地上有人类文化活动的踪迹开始,就有了音乐活动的痕迹。而这其中器乐合奏这一凝结了人类文明之精华的音乐艺术形式,在我国的传统更是源远流长。最早的器乐合奏形式如琴箫合奏、琴瑟合奏(见《诗经》记载),以及两汉时期的短箫铙歌(箫铙合奏)等,均是我国早期古代社会典型的器乐合奏形式。到明、清,合奏的形式渐渐丰富起来,这首先表现于戏曲音乐中。各剧种的伴奏乐队在当时形成了一个较为完善的乐队合奏体系。以京剧为例,在经过了一系列的探索之后,该剧种形成了一个完备的以鼓师为核心的管弦乐队,其乐队的音乐表现力和功能意义是非凡的,它往往起着统领整场演出的作用,而演员在表演过程中未尽的意义,又须由乐队来烘托和渲染出那特殊的气氛。
The development of traditional music in our country has been for thousands of years. Since the traces of human cultural activities in the vast land of China began, there have been traces of musical activities. This instrumental ensemble, a form of music and art that condenses the essence of human civilization, has a long tradition in our country. The earliest instrumental ensemble forms such as the piano flute ensemble, the Qin Sen ensemble (as recorded in the “Book of Songs”), and the short flute euphemism (flute ensemble) in the Han Dynasty were all typical forms of instrumental ensembles in early ancient Chinese society. To the Ming, Qing, ensemble forms gradually enriched, which first manifested in the opera music. The orchestra accompaniment band at that time formed a more perfect band ensemble system. Taking Peking Opera as an example, after a series of explorations, the opera has formed a complete orchestral orchestra as the core of the orchestra. Its music performance and functional significance are remarkable. The role of the performance, and actors in the performance process of the meaning of the unfinished, but also by the band to contrast and render that special atmosphere.