论文部分内容阅读
在东瀛的设计美学中可以说字体的考究精道占了绝大比重,字体设计在中国俨然是件让设计师恐慌的工程。这源于方块字千年来根植的固有美学标准和数量庞大的阵势。而取自于中国又借鉴于西方符号化文字的日本字却在设计上一再推陈出新。日本字的设计新颖与不断创新推进了唯美与实用并重的日本设计文化的完善。
In the design aesthetics of Japan can say fonts elegant refined accounted for the vast majority, font design in China is like a designer panic project. This stems from the intrinsic aesthetics standards and massive battlegrounds that the square-shaped word has been rooted in for thousands of years. The Japanese words from China, borrowing from the Western symbolic texts, have been reinvented in design. The novel design and continuous innovation of Japanese words promote the improvement of Japanese design culture which is both aesthetic and practical.