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20世纪80年代以来,中国现代文学史的撰写进入反思传统史观、探索新范式的调整时期。一方面,积极寻找符合文学审美特性的文学史单位。建国后的中国现代文学史写作,大多采用了“以时代为经,文体发展为纬,先总论后分论”的体例。①这一体例以时间为文学史的单位,根据政治、时代标准进行文学分期,近似历史编年体式的文学事件、作品记录,而忽略了文学自身的审美特殊性。进入20世纪80年代,学界开始寻
Since the 1980s, the writing of the history of Chinese modern literature has entered the stage of reconsidering the concept of traditional history and exploring the period of adjustment of the new paradigm. On the one hand, it actively searches for literary history units that conform to the aesthetic characteristics of literature. After the founding of the People’s Republic of China, most of the Chinese modern literary history writing adopted the system of “taking the era as the passage, developing the style as the weft, and then discussing the theory afterwards”. (1) This system uses literary history as the unit of time, conducts literary staging according to the standards of politics and time, and approximates literary events and works recorded in historical chronological style while ignoring the aesthetic particularity of literature itself. Into the 1980s, academics began to search