泼彩山水画在中国画中难度最大、成熟最晚。以张大干、刘海粟为代表的一系列画家在泼彩山水画的探索上取得了骄人的实绩。在当代收藏、拍卖领域,使中国近现代书画首次突破亿元大关的作品正是张大干的泼彩山水《爱痕湖》。泼彩山水画在当代的崛起与受到追捧是值得关注的社会现象,其发展的渊源也值得在艺术理论上进行探究。中国山水画自东晋滥觞,绵延千余年,变革不断。唐初,山水画由六朝的单线平涂与重色渲染发展到以李思训、李昭道为 Splash color landscape painting in Chinese painting the most difficult, the latest maturity. A series of painters represented by Zhang Dagan and Liu Haisu achieved remarkable achievements in the exploration of the landscape painting of colored water. In the field of contemporary collection and auction, the works that make the first breakthrough of modern Chinese calligraphy and painting at the mark of 100 million yuan are the Daishui dry landscape of “Love Lake”. The splendid landscape painting in the contemporary rise and sought after is a social phenomenon worthy of attention, its origin of development is also worth exploring in the art theory. Chinese landscape paintings from the Eastern Jin Dynasty, stretches for more than a thousand years, change constantly. In the early Tang Dynasty, landscape painting developed from the single-line painting and re-rendering of the Six Dynasties to Li Si-xun and Li Zhao-dao