古希腊神话中的皮格马利翁,一位生性孤僻却精于雕刻的国王,由于爱上了自己雕出的女像,终于感动了爱神,并为雕像赋予生命。最后他称她为伽拉忒亚,并娶她为妻。不同于心理学中的“皮格马利翁效应”的解释,在此,我们可以把这一神话看成是雕塑的产生与进化的基本动力学——雕塑的产生,是由于人类拥有了虚构事物的能力,那么,这一虚构之路将必然会指向“仿真”(皮格马利翁之梦想)——在 Pigeon Marion in ancient Greek mythology, a native of solitary but carved king, fell in love with his carved figure, finally touched the Eros, and give life to the statue. In the end he called her Galtetea and married her as wife. Different from the explanation of the “Pygmalion effect” in psychology, here we can regard this myth as the basic dynamics of the birth and evolution of sculptures - the sculpture comes from the fiction The power of things, then, this fictional path will inevitably point to “emulation” (the dream of Pygmalion) - at