在18世纪末期到20世纪初,一部分有影响的西方学者在其文学作品中对“中国形象”的制造达到了空前的热度,这种“中国纹身”似的文化在其宗土国却受到极大的追捧澎,而这种“文化”与中国本身的文化毫不相干。本文从西方作品中的“中国形象”入笔,浅析中西文化的认同的差异。 From the late 18th century to the early 20th century, some influential Western scholars reached an all-time high in the creation of “Chinese images” in their literary works. This “Chinese tattoo” The country is greatly sought after by Penghu, but this “culture” has nothing to do with China’s own culture. This essay, based on the “Chinese Image” in western works, analyzes the differences between Chinese and Western cultures.