论抗战时期延安木刻版画民族风成因

来源 :艺术评论 | 被引量 : 0次 | 上传用户:yucol
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
抗战爆发后,延安吸引了来自全国各地积极主张抗战的文化爱国人士和青年。这些投奔到延安来的人中,包括一批希望能以画笔报效国家的美术家和热爱美术的青年。这群怀着为民族生存而战斗的艺术家,在物质条件极其艰苦的情况下,积极从事革命美术的实践活动,创作出了一大批美术作品,其中包括大量的木刻版画作品,为木刻艺术的发展作出贡献。"许广平同志在《鲁迅回忆录》中写道:‘鲁迅还作了预言,木刻将来有两个发展的前途:采用外国的良规,加以发挥,使我们的作品更加丰满是一条路;择 After the outbreak of the war of resistance against Japan, Yan’an attracted cultural patriots and young people who actively advocated resistance throughout the country. Those who have run to Yenan include a group of artists who hope to serve the country with brushes and young people who love art. Under the extremely difficult material conditions, these groups of artists fighting for the survival of the nation actively engaged in the practice of revolutionary art and created a large number of works of art, including a large number of woodcut prints, for the development of woodcut art Make a contribution In his memoir of Lu Xun, Comrade Xu Guangping wrote: ’Lu Xun also made a prediction that there are two future prospects for woodcut development: using foreign good rules and giving play to making our work more plump is one way;
其他文献
介绍了一种基于光子晶体光纤(PCF)干涉仪的新型氢气传感器。该传感器采用反射式光路设计,在氢气传感单元中引入一段PCF。该PCF的一端以及一部分包层外壁在真空条件下蒸镀了一
本文通过对荣华二采区10
期刊