新千年以来的中国美术,好似站在一片无根的浮萍上舞蹈,很绚丽、极美好。圈外人观之,心驰驰、意摇摇,自己却漂泊不定无法上岸。国内艺术家的作品屡屡拍出天价之时,本土美术却正在失去它最重要的中国内核。中国当代艺术市场泡沫最终破裂。而美术理论体系也逐渐丧失话语权。美术研究的理论基础、研究方法、评价标准等体系骨架在散落。研究视角、语法准则、表述语汇等阐释方式为西方舶来品所代替。与之相应的是,国外学者的中国美术研究成果却被推上 Chinese art in the new millennium seems to stand on a rootless duckweed dance that is very beautiful and very beautiful. The concept of outsiders, Chi Chi Chi, intended to shake, but their own uncertain floating ashore. As the price of domestic artists is often auctioned, local art is losing its most important China core. China’s contemporary art market bubble eventually burst. Art theory system also gradually lost the right to speak. The theoretical basis of art research, research methods, evaluation criteria such as the system skeleton scattered. Research perspectives, grammar rules, expressions and other interpretation of the way to replace the imported goods from the West. Correspondingly, the achievements of Chinese art research by foreign scholars have been pushed forward