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许培武先生发起的“中国风景”群展终于迎来第三回。这一次,我们引入了彩色摄影,这也是蓄谋已久的。同时一如往届,我们也没定下一个主题。放下了也就开阔了,无主题,也就全面了。我们可以看到当下风景摄影的种种可能性,并且,不可避免地,会显露出时代心理,或“价值建构”的意思。大致看,这些作品可以分成两大类,一种是从文化背景出发的观看,一种是从社会批判的角度观察,也可以说是诗意自然的人文传统与工业社会的理性反思这两条路。当然,实际操作中,往往两者交织,要复杂一些。
Xu Peiwu launched the “China Landscape ” group exhibition finally ushered in the third. This time, we introduced color photography, which has long been planned. At the same time, as we have done, we have not set a theme yet. Put it down will be open, no theme, it is comprehensive. We can see the possibilities of contemporary landscape photography and, inevitably, reveal the psychology of the times or the meaning of “value construction.” Generally speaking, these works can be divided into two categories, one is viewed from the cultural background, the other is viewed from the perspective of social criticism, it can be said that the poetic nature of the humanistic tradition and industrial society, the rational reflection of these two roads . Of course, in practice, the two are often intertwined and complicated.