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在成都观摩全国地方戏曲交流演出(南方片),一气看了17台戏,好戏之多,水平之高,面貌之新,实在出乎意料。地方戏曲依然还有这样健旺的生命力和适应力,使人欣慰。多年来,戏曲工作者为使戏曲走出低谷,适应时代的要求。艰辛备尝,苦苦探求,终于有相当一些人、剧团走出了一条新路。展演中一批好戏的总体呈现,使我们看到戏曲(主要是具有活力的地方戏)在转型时期的曙光和前景。这次大多数优秀剧目的进步,不是过去那种小打小闹
In Chengdu to observe the national opera performances in the local (South), 17 sets of air show, a lot of drama, high level, the new look, it is unexpected. It is heartening that local opera still has such vitality and resilience. For many years, the opera workers have adapted to the demands of the times in order to make the opera come to the bottom. Hard to taste, hard to explore, and finally there are quite a few people, the troupe out of a new road. The overall presentation of a series of good shows in the show allows us to see the dawn and prospects of the opera (mainly energetic local operas) during the transitional period. The progress of most outstanding plays this time is not the slapstick of the past