本文对斯特林堡名剧《父亲》引起的强烈剧场效果进行探究,指出其在创作中采取了一个隐蔽的策略——视点人物的设置,遮蔽了真相,目的是引导观众的感情倾向。这是其独特世界观的结果,也是自身的女性观使然,同时反映了19世纪末普遍的男性身份危机,表达了人类社会生活中最深层的矛盾冲突。 This article explores the strong theatrical effect caused by Strindberg’s famous father, and points out that it adopts a covert strategy in the creation - the setting of the viewpoint characters, which obscures the truth and aims to guide the audience’s affective tendencies. This is the result of its unique view of the world and its own view of the female. It also reflects the common male identity crisis of the late 19th century and expresses the deepest contradictions and conflicts in human social life.