显然,这两个小说是我旺盛想象力的分泌物。当我于2012年写下《乌蒙》或稍早时期写下《奶牛住进我们家》《宋代美人》《开往糖厂的末班车》乃至更早一些的《巴西海藻足球队》那样的小说之后,在我所尊敬的何凯旋大兄的提醒之下,我突然发现,小说写作当然可以照着这条路子往下走——以我十余年记者生涯的真实遭遇提供燃料,再用过剩的想象力点燃它,亦能完成一个写作者所谓的“现实观照”。按照老博尔赫斯的说法,小说家的 Obviously, these two novels are secretions of my exuberant imagination. When I wrote “Wumeng” in 2012 or earlier wrote “The Cows Live in Our Family,” “The Song Dynasty Beauty,” “The Last Train to the Sugar Refinery,” and even the earlier “Brazilian Seaweed Football Team.” Later, under the reminder of Ho Kaixuan, whom I respect, I suddenly realized that novels can of course go down this path - fueling with the real experience of more than a decade of journalistic career and using excess Imagination lit it, but also to complete a writer so-called “reality view ”. According to Old Borges, the novelist’s