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作为中国传统戏曲舞台的视觉符号,京剧“花脸”脸谱具有极高的艺术成就,其以特殊的结构及空间关系承载着中国传统文化风貌,因此研究京剧脸谱中的“花脸”形象对我国传统戏曲文化的研究有着极大的推动作用。本文从“花脸”的界定为出发点,总结出了“花脸”的视觉符号特征及美学意义,并结合当今设计分析了现代视觉语境中的“花脸”的嬗变,希望对“花脸”的研究能起到一定的推动作用。
As the visual symbol of the traditional Chinese opera stage, Peking Opera “Hua Lian ” has a very high artistic achievement. With its special structure and spatial relationship, it carries the traditional Chinese culture and style. Therefore, The study of traditional Chinese opera culture has a great role in promoting. From the definition of “painted face”, this paper summarizes the visual symbolic features and aesthetic meanings of “painted face ”, and analyzes the evolution of “painted face ” in the modern visual context combined with the current design, “Painted face ” research can play a certain role in promoting.