赵树理的中篇小说《李有才板话》,现在的年轻人未必肯读,我年轻时曾读得津津有味,至今还记得其中一首快板:“模范不模范,从西往东看:西头吃烙饼,东头喝稀饭。”至于是什么时候读的,小说主要情节如何,有点像激情岁月,早已随风而逝,无从追寻了。一部电影通常是离不开插曲的。判断一首电影插曲是否成功,可参照以下标准:如果影片内容被岁月剥蚀得一干二净,仍有旋律与人们相依相伴,这样的插曲方谓成功。比如每逢中年人与往事干杯,《敖包相会》、《九九艳阳天》、《花儿为什么这样红》常常被用来佐餐情感,大约没有谁会立马想到它们分别出自《草原上的人们》、《柳堡的故事》、《冰山上的来客》。同理,一部小说,一旦其情节脉络从读者记忆中淡出,只剩下若干细节始终占据着读者大脑的内存,这样的细节描写也是成功的。就像上述关于“模范村”的快板,即使不知小说情节,也能看出其本意是在讽刺虚假繁荣,表达对两极分化的不满,且“烙饼”与“稀饭”对比鲜明,通俗易懂,极合农民的口味。 Zhao Shu Li’s novella “Li Youcaiadianhua”, young people may not read now, when I was young and have relish, so far I still remember one of the Allegro: “model is not an example, from west to east to see: West to eat Flapjack, east drink porridge. ”“ As for when to read, the novel’s main plot, a bit like a passionate age, has long gone by the wind, no pursuit. A movie is usually inseparable from the episode. To determine whether a movie episode is successful, you can refer to the following criteria: If the content of the movie is eroded from time to time clean, there is still melody and people depend on each other, such episode that success. For example, every middle-aged person and the toast toast, ”obo meet“, ”ninety-nine sunny“, ”Why is the flower so red“ is often used to accompany the feelings, no one immediately thought of them from the ”prairie People, “” The Story of Liubao, “and” The Traveler on the Iceberg. “ By the same token, a fiction is successful once its context fades away from the reader’s memory, leaving only a few details that always occupy the memory of the reader’s brain. Like the Allegro on ”Model Village“ mentioned above, even if we do not know the story of the novel, we can see that the original intention is to satirize the false prosperity and express dissatisfaction with polarization, and compare the ”pancake“ with ”porridge" Clear, easy to understand, very close to the taste of farmers.