挖掘和整理粤剧遗产并没有捷径可走。整理一个古老剧目,要细致地剔除其糟粕,保存起精华,才能为观众接受。有些编剧,在改编古老剧目时,把一些表面看来含有糟粕的内容整段整块地割出来,简单地加上三几种新编台词,这种做法实在值得研究。精华有时是含在糟粕里的,一个保存到现今的古老剧,都是经过前人长时期的磨 There is no easy way to excavate and organize Cantonese opera heritage. Organize an ancient repertoire, to carefully remove its dross, save the essence, to accept the audience. Some writers, in the adaptation of the ancient repertoire, put some seemingly dross-containing content entirely whole cut out, simply add three new lines, this approach is really worth studying. The essence is sometimes contained in the dross, a preserved ancient drama today, are after a long period of previous grinding