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大部分的电视剧作品很难被看作独立的艺术作品,它们或是社会文化的样本,或是商品经济的表征,只在文化生产的视域下才具备研究价值。对于《纸牌屋》(House of Cards)来说,它首先当然仍是娱乐的、消费的。马云正是瞄准了这一点,在去年天猫主办的双十一晚会上,他请来了凯文·斯帕西,让他以美国总统的身份忽悠中国观众网购。然而,从作品本身看,《纸牌屋》却超出了大部分美剧所隶属的文化商品范畴,具备了进行深层解读的可能。
Most television drama productions are hard to be regarded as independent works of art. They are either samples of social culture or the characterization of commodity economy, which have research value only in the sight of cultural production. For the House of Cards, of course it is of course still entertaining and spending. Jack Ma is targeting this point last year, Lynx sponsored double eleven evening, he invited Kevin Spaasi, let him flicker Chinese audience online shopping as the president of the United States. However, judging from the work itself, “House of Cards” is beyond the scope of the cultural commodities to which most of the U.S. dramas belong. It has the potential for further interpretation.