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在纪念徽班进京200周年的观摩演出中,中国京剧院演出了由徐城北、李世济编剧的《武则天轶事》,在运用程派艺术塑造一代女皇武则天形象的艺术实践中,取得了令人瞩目的成就。唐仪凤初年,天皇高宗身患重病,武则天以天后身份独理朝政,引起以裴炎为代表的一批旧臣的不满。他们外结拥兵扬州的英国公徐敬业,密谋举事;内通东宫太子李贤,暗蓄甲兵。一时风云突变,险象环生,使武后执掌的政权面临生死存亡的严峻考验。处于矛盾旋涡中心的武则天,既要面对裴炎等人的严重挑战,更要处理与太子贤之间的母子冲突,集内忧外患于一身。在舞台上塑造这样一个形象,既为演员的艺
In commemoration of the 200th Anniversary Ceremony of emblem class to Beijing, China Peking Opera Theater performed “Empress Wu’s anecdote” written by Xu Chengbei and Li Shizi and achieved a great success in the artistic practice of using Chengpai Art to create the image of Queen Empress Wu Zetian. Interesting achievements. In the early years of Tang Yifeng, Emperor Gaozong was seriously ill and Wu Zetian was treated as a prime minister in his days, causing dissatisfaction with a group of old officials represented by Pei Yan. They are foreign troops Yangzhou Yang Gong British public dedication, conspire with things; the East through Prince Edward Lee Hyun, a dark soldier. Sudden changes in the situation and dangers, so that the military in charge of armed forces facing the severe test of life and death. Wu Zetian, in the center of contradictions and vortices, must not only face the grave challenge of Pei Yan and others but also deal with the confrontation between mother and child and Taizi Yin and set the internal and external troubles together. In the stage to create such an image, both for the actor’s art