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近几年中国当代艺术经历了泡沫的消退过程,而“水墨”创作却屡屡在国际收藏市场上创出佳绩。中国历来存在的“雅贿”体制下而推出的水墨艺术家,并不在这次的水墨热潮里。现在的当代水墨热潮范围大致可分为两部分:一是当代工笔画(又称“新工笔”)和以水墨为媒材表现当代观念的作品(又称“新水墨”);另一类是在九十年代以来发展至今的实验水墨。这类偏向观念、实验和抽象水墨一直在海外华人市场受到欢迎。
In recent years, Chinese contemporary art has undergone a process of subsidence of the bubble, and “Ink and Wash” has repeatedly achieved great success in the international collection market. China has always been in the “Ya Bribe ” system launched under the ink artist, not in this ink hot craze. The current scope of contemporary ink craze can be broadly divided into two parts: one is contemporary work (also called “new work brush”) and a work expressed by ink and wash media (also called “new ink and wash”). The other is the experimental ink which has been developed since the nineties. Such biased concepts, experiments, and abstract ink are popular in overseas Chinese markets.