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在中国的传统绘画中,石涛的绘画思想对后世产生的影响不容忽视,可对于石涛的绘画理论产生的历史渊源则是众说纷纭、本文通过对佛学思想的研究和石涛绘画理论重点是讲《苦瓜和尚花语录》中的一画论是佛学的“一就是一切,一切即一”的体现,一画说主要是在禅宗影响下形成的一个重要概念,从中可以看出禅学思想对石涛艺术创作的的影响,更深刻的理解石涛绘画理论的内涵,更好的解读一画论。
In the traditional Chinese painting, the influence of Shi Tao’s painting thought on later generations can not be ignored, but the history origin of Shi Tao’s painting theory is different. This article through the study of Buddhism and Shi Tao’s painting theory focuses on “the bitter gourd monk One of the paintings in the Quotations from the Flower is the embodiment of Buddhism. ”One is everything, everything is one." One of the paintings is mainly an important concept formed under the influence of Zen. It can be seen that Zen Buddhism’s influence on Shi Tao’s artistic creation The deeper understanding of the content of Shi Tao’s painting theory and the better interpretation of a painting theory.