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《小城之春》作为一部典型的东方诗电影,其诗意从何而来?其表达方式与西方电影所建立语言法则有相同之处,又含有浓郁传统东方文化的印记,这两个截然不同的体系在这部影片中和谐地共存,同时又生发出新的特质。在68年后的今天,观者依然能感受到其独特的美学张力。一宅院空间的意识流化几千年来中国民居都是以一种群居组合方式构成——以庭院为核心,以院落为单位。在建筑发展的过程中,院落空间与文化表达产生了紧密的关联。“中国人的宇宙概念与庐舍有关。”1在中国传统院落建筑中所蕴含着的是道儒两种文化的渗透:闭合
As a typical oriental poem movie, the “Spring in a Small Town” comes from its poetic meaning. Its expression is similar to the linguistic rules established by western films, and imprinted with rich traditional oriental culture. System harmoniously coexist in this film while giving birth to new qualities. Today, 68 years later, viewers still feel their unique aesthetic tension. A Stream of Consciousness in a Courtyard Space For thousands of years, Chinese dwelling houses have been constructed in a combination of groups - with the courtyard as the core and the courtyard as the unit. In the process of building development, courtyard space and cultural expression are closely related. “The concept of Chinese people’s universe is related to cottages.” 1 The infiltration of Confucianism and Confucianism in the traditional Chinese courtyard buildings is: