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不久前,在各大卫视热播的电视剧《门第》引发了人们的热议。作品通过出身高贵的都市白领罗小贝与市井平民何春生之间“门不当户不对”的婚恋经历,正面触碰并探讨了“门当户对”这个传统的婚恋话题。在社会贫富差距日益加大、人们的价值取向日趋多元的当下社会语境中,《门第》对这一传统观念的思考和演绎,为人们提供了一个透视当代人婚姻主张、家庭观念与伦理变迁的窗口。与近几年蜂拥而起的众多家庭伦理剧相比,《门第》突破了以往同类题材常见的叙事模式,具有令人耳目一新的内涵和特质,通过对古老话题在当下社会的重新演绎,探讨了婚姻与家庭伦理这一人类社会中恒久的主题,并试图弥合不同阶层的文化冲突与价值差异。
Not long ago, the major TV series hit the door, “the door caused a hot debate. Works through the noble urban white-collar Luo Beibei and urban civilians He Chunsheng between ”door improper household is not right “ marriage experience, positive touch and discussed the ”match-up “ the traditional marriage and love topics. In the current social context in which the wealth gap between the rich and the poor is widening and people’s values are increasingly diversified, the thinking and deduction of this traditional concept by the ”door number“ provides people with a perspective of contemporary people’s marriages, family values and Ethical changes in the window. Compared with the large number of family ethics dramas swirling in recent years, the ”door number" has broken through the common narrative patterns of the same kind of subject in the past and has refreshing connotation and characteristics. Through the reinterpretation of the ancient topic in the current society, Marriage and family ethics, a permanent theme in human society, and trying to bridge the cultural differences and differences in values between different levels.