本篇论文探讨现代华文文学作品在法国经典化(canonisation)的过程。首先从相关的人物与体制着手,一一检视两者如何相互作用,而赋予了某些作品“经典”(classiques)的地位:就教育系统来说,本文述及教科书、教师资格竞试必读书单和学术著作的影响;就出版面向来说,出版社特别重视某些作品,提供数个重译版本或将它们纳入具有威望的丛书之中,乃作品经典化不可或缺的一环;字典和百科全书同时也扮演了不可或缺的角色。其次,从布迪厄式的观点出发,本文考察了参与某些作者经典化过程的不同权威立场,诸如汉学家、媒体、文学奖评审及文学经纪人,并思索了中国与法国双方对华文经典的认定,是否有值得注意的差异。论文最后一部分转向台湾文学在法国出版界的现况:台湾文学尚处于边缘的地位,使其至今仍不受潮流效应所囿。文末介绍了由笔者与其他两名学者共同主编的Lettres tawanaises(《台湾文学》)丛书的创立原则。本丛书是目前在法国唯一一套专门引介台湾文学的丛书。 This essay explores the process of canonisation of modern Chinese literary works in France. Starting with the relevant characters and institutions, one examines how the two interact each other and gives certain works a status of “classiques.” In terms of the educational system, this article deals with textbooks, teacher competency tests Must-read book and academic writings; in publishing terms, publishers place particular emphasis on certain works, provide several versions of translations, or include them in prestigious books as an integral part of their work’s canonicalization Dictionaries and encyclopedias also play an integral role. Secondly, from the Bourdieu point of view, this paper examines the different authoritative positions involved in the process of classifying certain authors, such as sinologists, media, literary awards reviewers and literary agents, and considers the differences between Chinese and French on Chinese classics The identification of whether there is any notable difference. The last part of the paper turns to the current situation of Taiwanese literature in the French publishing world: Taiwanese literature is still marginalized, making it still unaffected by the current trend. At the end of the article, we introduce the principle of Lettres tawanaises (“Taiwanese Literature”) series co-edited by the author and two other scholars. This series is the only one in France that exclusively introduces Taiwanese literature.